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"Then, thank you, Mrs. Corcoran, I will have a potato," says Rodney, gratefully, honest hunger and the knowledge that it will please Mona to be friendly with "her people," as she calls them, urging him on. "I'm as hungry as I can be," he says. And very honestly, too, because at the time of their visits, when Lady Rodney was entertaining them in the big drawing-room and uttering platitudes and pretty lies by the score, she was deep in the recesses of the bare brown wood, roaming hither and thither in search of such few flowers as braved the wintry blasts. "But, my darling child, I can't help the fact that George Rodney left me the Hall," says Geoffrey, deprecatingly, reducing the space between them to a mere nothing, and slipping his arm round her waist. "And if I was a beggar on the face of the earth, I could not love you more than I do, nor could you, I hope"—reproachfully—"love me better either.".
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For many days he had not known "that his heart was darkened with her shadow." Only yesterday he might perhaps have denied his love for her, so strange, so uncertain, so undreamt of, is the dawning of a first great attachment. One looks upon the object that attracts, and finds the deepest joy in looking, yet hardly realizes the great truth that she has become part of one's being, not to be eradicated until death or change come to the rescue. "Will it?" says Geoffrey, oddly. "What is her name?" He actually laughs, though faintly, and Mona looks up. Perhaps he has forced himself to this vague touch of merriment (that is even sadder than tears) just to please and rouse her from her despondency,—because the laugh dies almost as it is born, and an additional pallor covers his lips in its stead..
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